Finding Dory has a lot of water, and the software is also able to deal with reflected and refracted light in water, which impacts the color of the water. With something more complicated like a splash, the software is able to reflect and refract light on every single drop of water. Each shot in Finding Dory has billions of individual light rays per frame, with probably ten reflections and refractions in each ray. This allows the lighting team to spend less time trying to mimic reality and more time making creative decisions. Finding Dory is the first Pixar film to use the RenderMan RIS architecture software, which is able to create both the direct and indirect light.
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